"I never knew how much I cared for them. They're awfully valuable, aren't they?" Owen's manner mystified her; she was conscious of a return of the agitation he had produced in her on that last bewildering day, and she reminded herself that, now she was warned, it would be inexcusable of her to allow him to justify the fear that had dropped on her. "Mother thinks I never took any notice, but I assure you I was awfully proud of everything. Upon my honor, I was proud, Miss Vetch." "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"!

"Mine have not been quite so bad as that," Fleda desperately smiled. Then she added: "His silence, her silence, our hearing nothing at all—what are these but the very things on which, at Poynton and at Ricks, you rested your assurance that everything is at an end between them?" "I cared, I cared, I cared!" Fleda moaned it as defiantly as if she were confessing a misdeed. "How couldn't I care? But you mustn't, you must never, never ask! It isn't for us to talk about!" she insisted. "Don't speak of it, don't speak!"

"When I got into this I didn't know you, and now that I know you how can I tell you the difference? And she's so different, so ugly and vulgar, in the light of this squabble. No, like you I've never known one. It's another thing, it's a new thing altogether. Listen to me a little: can't something be done?" It was what had been in the air in those moments at Kensington, and it only wanted words to be a committed act. The more reason, to the girl's excited mind, why it shouldn't have words; her one thought was not to hear, to keep the act uncommitted. She would do this if she had to be horrid. "Mine have not been quite so bad as that," Fleda desperately smiled. Then she added: "His silence, her silence, our hearing nothing at all—what are these but the very things on which, at Poynton and at Ricks, you rested your assurance that everything is at an end between them?" "Am I? Do I strike you so? You know I hate him," Fleda went on.